| TWO
DAYS TILL TOMORROW |
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| Robert
Temple & Joe Kicak |
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| 2002,
73 min, Canada |
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World
Premiere |
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Sun
2/3 2:15 pm
New College of California |
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Mon
2/4 2:45 pm
Studio Z / Transmission |
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Sat
2/9 5:00 pm
Expression Center |
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Advance
tickets for this show are no long available but tickets will
be available at the theater 15 minutes before show time.
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Please
arrive 15 minutes before showtime
to assure seating!

Advanced tickets are not mailed.
Pick them up at will call the day of the show.

To buy passes, please go to the Tickets
page. |
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PayPal requires
Netscape 4.75
Internet Explorer 5
or 128 Bit Encryption
loaded onto an older
version.
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Synopsis
TWO DAYS TILL TOMORROW
is the CITIZEN KANE of high-school movies. Temple and Kicak
embarked on a class project that got totally out of hand, and
this is the result. Temple plays Eddie, and Kicak is the main
character Steve. The duo are also credited as: producer, writer,
director, editor, costumes, art direction, first assistant director,
A&B camera operators, set designer, head carpenter, set
construction, chief lighting technician, sound editor, foley
artist, storyboard artist, blue screen coordinator, props, make-up
and design, computer graphics, credit sequences, and casting.
Now thats an Indie credit roll! The result is messy, raw,
energetic, hallucinogenic, fun and inspiring. Technically excellent
throughout, it bursts with visual and sonic energy. Kicak leaps
off the screen as Steve, a badly damaged street hustler. Hes
a strange hybrid of Mannie the Punk and Ratso
Rizzo complete with an absinthe lab in the basement (to
satisfy his inner Romantic fin-de-siecle alchemist). Eddie is
a young business guy minding his own business, who becomes inextricably
linked with the manic Steve. Music by Tool, Tommy James and
others.
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In
Attendance : Joe
Kicak
Contact : joekicak@sympatico.ca
www.twodaystilltomorrow.com
(t) 416 831 3434 / (f) 416 767 8700 |
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Still
1 | Still
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Preceded
By : Booty BBQ
(2001, 18 min, USA) by Mike Finch
Contact
: mc3gerwalk@hotmail.com
(t) 773 857 7801
Synopsis
: Bootsy, the only
one who sees the real danger of bad architecture, finds no support
from Rachel, who loses his mind, body, and inspiration to one-too-many
hits of acid.
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